Monumental luminaires boost the value of synthetic resin and rejected objects

Austrian-Dutch team Benedikt Fischer and Boris de Beijer bonded while studying jewellery design at Amsterdam’s Rietveld School of Art & Design. Neither was content to limit his creativity to one discipline, as their series of illuminative obelisks illustrates. Fischer and De Beijer concocted the material for these lamps from resin and found objects, using ‘an alchemic process that transforms basic, common resources into a new material that conceals its origins and resembles higher-valued materials’. Aptly titled Menhir (‘standing stone’), the lights look like columns of polished minerals. Most importantly, the result of this project is a delightfully diverse range of colours and forms, which when seen en masse invites the observer to imagine a leisurely stroll among ancient Egyptian art treasures.

This project was featured in Frame 112. Find your copy in the Frame Store. 

This article was featured in:

Frame 112

Frame 112

The August/September issue checks in to the hospitality scene to explore tailor-made hotel concepts for millennial travellers.


Raphaӫl Pluvinage and Marion Pinaffo employ design as an educational tool

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Pernelle Poyet narrows down the creative process to an alphabet of basic principles

Alphabet is a bit like my own little theatre: the objects are the stars, and I am the director of the show. Alphabet is comprehensive.

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