The Jan/Feb issue of Frame explores how workspaces can support mental health. Burnout is on the rise, and it’s now officially been labelled an ‘occupational phenomenon’. On the upside, mental health is becoming a less taboo topic and employers are beginning to realize it takes more than an in-office gym or a few free yoga sessions to keep their workforce fully functional. So, how can spatial design contribute to the cause? We explore four aspects of the modern office that prioritize people over productivity, ranging from wellness-focused concepts such as recharge rooms to biophilic spaces filled with calming vegetation and tech-enabled services for depression treatment.
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As several key co-living players go global and numerous innovators open up in every conceivable niche – from family collectives to senior communities – Frame’s Nov/Dec issue takes another look at the form of urban organization that trades personal space for common amenities. The cofounders of Amsterdam- and Paris-based Cutwork discuss what’s missing in today’s shared spaces. Consultant Matt Lesniak suggests how co-living can become more conscious – and highlights five companies making the right moves. Three forward-facing concepts look to rectify some of co-living’s current issues, such as community, individuality and ownership.
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The September/October issue of Frame marks a new chapter in the magazine’s history. At a time when the design industry is evermore beholden to the power of the glossy image – be that in print, on web or via your preferred social platform – we’ve decided that it’s vital that our publication strives not only to show you what’s popular, but also to tell you why.
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AMSTERDAM – The March/April issue of Frame magazine explores how the modern library is adopting a role that goes beyond books, and is transforming into both a hub for the community and a spot for personal development in its broadest sense – cognitive, social and cultural.
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The Jul/Aug issue of Frame explores how the notion of the workspace is changing as offices expand their amenities exponentially. NapYork provides micro-rest facilities for NYC professionals, while co-working space Tenoha, Milan offers multiple services.
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The March/April issue of Frame explores how a new generation of innovators is radically reshaping healthcare. Jos Stuyfzand of Philips Design Healthcare talks about the hospital of the future being a human-centric, service-orientated environment with a focus on the individual experience. And, based on recent case studies, we dissect five design strategies that healthcare facilities are using to increase physical and emotional wellbeing.
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The Jan/Feb issue explores how events rewrite the rules of engagement. Using immersive technologies to draw visitors into highly engaging experiences, Atelier Brückner recomposes the Hyundai story and Wayne McGregor choreographs a dance with drones.
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The May/June issue of Frame is a special one, as we celebrate our 20th anniversary. We present 20 designers and brands – from household names to emerging talents – that we expect to lead the way in spatial design in years to come. We showcase 20 interior projects that represent 20 strategies for designing spaces, and go beyond the conventional scope of design to find 20 visions that frame the future.
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The Jan/Feb issue of Frame explores the most ground-breaking environments for learning, from offices structured like college campuses to hospitality venues that double as libraries. The Jan/Feb issue of Frame explores the most ground-breaking environments for learning, from offices structured like college campuses to hospitality venues that double as libraries. The Jan/Feb issue of Frame explores the most ground-breaking environments for learning, from offices structured like college campuses to hospitality venues that double as libraries.
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Colour is something of a design enigma. Few know exactly how to apply it; many don't dare to try. For some it comes 'naturally' so it's only 'natural' that nature is the go-to source for inspiration. As materials innovation-and-technology specialist Natsai Audrey Chieza says: 'We've always borrowed from nature to dye and colour material artefacts, and that will not change.' What already is changing is the way we borrow from nature.
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