Amsterdam – A three-week-old Aēsop store on Amsterdam’s Utrechtsestraat bears two firsts: it both introduces the Australian skincare company in the Dutch market and is Valentin Loellmann’s inaugural retail space. Based in Maastricht, the German-born creative – known primarily for his sinuous wooden furniture – was approached by Aēsop’s European design team to take on the interiors. He and his studio jumped at the opportunity.
‘I was aiming to do a public project like this for a long time – I was slipping too much into this world of only doing one-off furniture pieces and private residences,’ Loellmann says. No matter what he’s working on, though, he explains that his means of practice is spontaneous and that, when creating, he often makes of-the-moment decisions based on what feels right for each space. It’s a quality that proved especially handy during the development of the Aēsop store. After planning the full design and preparing for construction, the team was denied permission to cover the historical interiors, which are reproduced to look as the 17th-century building’s original spaces would have.
Finding a compromise was a challenge, but having the willingness to embrace spontaneity affords Loellmann a certain artistic freedom, and that ensured a solution. ‘When I was briefed the project, I thought, “Okay, now finally I can carry out this whole spatial concept”,’ Loellmann explains. ‘And I was happy to do that, to show the energy I can provide with the pieces I’ve made. I respect the existing interior, but I wasn’t sure how to work with it – I didn’t see my work in combination with this style. But, after being denied, I knew I didn’t want to go back and copy this style or to create something too dissimilar that people wouldn’t understand. I wanted to design a store that when you visit, you don’t have any questions in your mind: you just feel comfortable, well, invited.’
The resulting interiors are a harmonious marriage between Loellmann’s identifiable furnishings and the pre-existing decorative elements, officiated by a glowing, rosy light that completely engulfs the space. Walnut-timber and copper pieces bedeck the store, and are entirely handcrafted. ‘I used the interiors as a background to bring something new in – the old and the new support each other in this way,’ he says. ‘Instead of being fit into a timeframe, the elements are made one.’