Taking on a role previously entrusted to the likes of Martino Gamper and Snarkitecture, Kengo Kuma is behind the latest year-long installation. Arranged throughout the ground floor of the 250-sq-m space are panels of floor-to-ceiling Lebanon cedar that resemble a dense forest. Mirrors that cover walls and ceiling add depth and a sense of perpetuity to the crafted woodland. In the eyes of Kengo Kuma, these key elements are ‘enough.’ Instead of adding horizontal shelving to display products alongside one another, the architect spliced each wooden plank with a metal sheet that supports a single handbag. Although seemingly random, the composition of wooden sections – which are placed diagonally – affords the optimal distribution of light from the store’s ceiling-mounted fixtures. ‘Wood provides both tactility and the rich scent of nature,’ says Kuma. ‘In the age of e-commerce, these sensorial elements are important for physical experiences. I think the approach of a yearly facelift will prove relevant for the future of retail and its ever-changing social demands.’
The centrepiece pink sofa, Time & Style's KA, has a similar approach to the combination between the visual and the tactile. Its name is inspired in kaku-kaku, a Japanese onomatopoeia that means ‘full of corners.’ The resulting sofa, thus, is a combination of kaku-kaku triangles that, contrary to their sharp apperance, feel comfortably soft upon sitting down.
Kuma was drawn to the fact that ‘the commission was not about renewing the entire store and creating something permanent; it was an intervention in an existing space. You can be more experimental if the fit-out will last just one year, instead of 10 or more.’
You can also read this article in Frame 123 (p 98-99).