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United States – Artist Patrick Dougherty uses saplings to create sculptures that represent the contrast with the solid geometry of modern cities.
ANTWERP – The artist’s latest exhibition at Middelheim Museum challenges assumptions of contemporary sculpture by returning to past forms in order to create new ones.
Kingston upon Hull, England – An enormous paper cod fish swims alongside islands of paper stars. Made using G . F Smith’s Colorplan range, Paper City features work by eight UK …
SEVILLE – In March 2017, Seville became the eighth Spanish city to inaugurate a Caixaforum. The project repurposes a space that previously existed as a subterranean car park.
MILAN – Paola Pivi's fabulous feathered bears are back, posing in the la Rinascente windows in a surrealist statement against the mundane in the human condition.
MILAN – A modernist metal tree stands in a darkened cinema. The New Spring installation plays with the impermanence and the resilience of nature, life, and technology.
PARIS – To coincide with Chiharu Shiota’s current exhibition, here we look at her textile creations and investigate the way she uses thread as a way to explore memory and belonging.
NEW YORK – In advance of her upcoming exhibition in New York next month, here we see how Alyson Shotz’s sculptures reveal the natural forces that inhabit a space.
QUYANG – Thanks to its rich mineral resources, the city of Quyang in Northeast China boasts some of the largest mining and stone-working industries in the country.
WALNUT CREEK – Crystal Wagner’s Flux – an art installation that dominated the Bedford Gallery in Walnut Creek, California with its organic, free-flowing forms last summer – featured scraps …
BASEL – Maurice Mentjens, whose interior-design accolades include those for a café at the Bonnefanten Museum in Maastricht, has been visiting Art Basel since the 1990s.
SÃO PAULO – On the rooftop of one of the tallest buildings in Brazil, the citizens of São Paulo can rediscover their city from a new perspective thanks to Guto Requena's Sensitive Star.
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